Format: First edition, hardcover

Condition: Near fine in a very good dust jacket. Dust jacket has one tear along middle of spine, else fine. Hardcover.

Product dimensions: n/a

Publishing Info: Harper Collins, New York, 1996

Language: English

ISBN - 13: 97800601736921

 

After the gravity of The Unbearable Lightness of Being and Immortality, Slowness comes as a surprise: it is certainly Kundera's lightest novel, a divertimento, an opera buffa, with, as the author himself says, not a single serious word in it ; then, too, it is the first of his novels to have been written in French (in the eyes of the French public, turning him definitively into a French writer).

Disconcerted and enchanted, the reader follows the narrator of Slowness through a midsummer s night in which two tales of seduction, separated by more than two hundred years, interweave and oscillate between the sublime and the comic. In the eighteenth-century narrative, the marvelous Madame de T. summons a young nobleman to her château one evening and gives him an unforgettable lesson in the art of seduction and the pleasures of love.

In the same château at the end of the twentieth century, a hapless young intellectual experiences a rather less successful night. Distracted by his desire to be the center of public attention at a convention of entomologists, Vincent loses the beautiful Julie ready and willing though she is to share an evening of intimacy and sexual pleasure with him and suffers the ridicule of his peers.

A morning-after encounter between the two young men from different centuries brings the novel to a poignant close: Vincent has already obliterated the memory of his humiliation as he prepares to speed back to Paris on his motorcycle, while the young nobleman will lie back on the cushions of his carriage and relive the night before in the lingering pleasure of memory.

Underlying this libertine fantasy is a profound meditation on contemporary life: about the secret bond between slowness and memory, about the connection between our era s desire to forget and the way we have given ourselves over to the demon of speed. And about dancers possessed by the passion to be seen, for whom life is merely a perpetual show emptied of every intimacy and every joy. ( I tried in this novel, Kundera has said, to discover the existential phenomenon of dancers. To stage not a bitter satire but a good- humored comedy of dancers).

 

The Guardian feature on Kundera

 

Kirkus review

 

NY Times interview

 

The Paris Review interview excerpt